Much of the fascinating tone of the great clean, crunch and lead guitar sounds is down to a drop in power supply voltage when spiking transient signals hit the output stage hard. You can adjust the amount of power amp sag to add creaminess and growl to your tone regardless of the volume level.

The Clean Channel offers endless pristine headroom, and way more besides: engaging the Boost and tweaking the gain and sagging controls will give you access to an awe-inspiring array of sounds.

Crunch delivers classic overdrive sounds at their most assertive! From light levels of breakup to thickly compressed, turbo-charged all-out distortion, the Crunch Channel delivers a knockout tonal punch.

The Lead Channel celebrates the unique sound produced by cascading tube gain stages. With oodles of gain on tap, classic hard rock riffs and licks will fly off your fingertips courtesy of this channel’s painstakingly tweaked compression!

Perfect for modern metal and high-gain sounds, the Ultra Channel delivers sumo-sized low end and an ultra-fast response up to the highest volume levels.

Kick in the Boost to target specific frequency ranges in your tone and kick them up a notch. Depending on the channel, it will yield an even more assertive, creamier, or punchier tone. The Boost is tailored to each channel’s character, meaning that it works like four individual external boost pedals.

These are classic passive tone controls that influence one another. For example, if you crank the Mid knob, the Bass knob will be less effective than when you back the Mid knob down. The are also savable, which means you can store different EQ settings for each of your sounds, or do things like using the Mid knob to create a mid-boosted sound for a specific song or tone.

The world’s most musical Noise Gate guarantees you a noise-free yet natural sound experience. The Intelligent Dual Breakpoint (IDB™) technology gauges the signal the Input jack and cuts post preamp, but pre effects, it does not cut off Reverb and Delay signals.

The Presence knob controls the amount of harmonic overtones generated by the power amp –the higher the setting, the more intense the effect!

Set the Resonance knob to 12 o’clock to hear the standard resonance of the amp (with cab). Twist it counterclockwise to dampen the resonance for a looser, softer sound that sweetens up clean tone. Turning the knob clockwise intensifies the resonance for a tighter, punchier low end that works well with distortion!

The digital reverb matches the warmth and musicality of classic spring reverbs. A genuine improvement over its analog ancestors, it automatically adjusts the reverb tail –the higher the Reverb volume setting, the longer the reverb time. Reverb is blended directly with the analog signal so you get to keep all the dynamics and vitality of that sweet analog tone.

Built-in studio quality chorus, flanger, phaser and tremolo effects. You can adjust speed and intensity of the modulation. They are all blended directly with the analog signal so you get to keep all the dynamics and vitality of that sweet analog tone.

You can adjust the level, feedback and time. Tip: the FSM-432 MK III MIDI Board also features a handy Tap function, so you can control the delay speed on the fly with your foot. The delay is blended directly with the analog signal so you get to keep all the dynamics and vitality of that sweet analog tone.

This serial loop lets you patch in external effects devices: connect the Send jack in the FX Loop section on the amp’s rear panel to your effects processor’s input and the Return jack to the processor’s output. The FX Loop button on the fgront panel activates and deactivates the loop.

Using the phantom powered Hughes & Kettner FSM-432 MK III MIDI board, you can control the amp just as you would with an ordinary footswitch without having to first bone up on MIDI. Of course, any other MIDI gear will connect and work as well.

All parameters apart from the Master Volume can be stored recalled any time you want! For remote control of any knob, simply connect an expression pedal to the FSM MK III and
adjust controls like gain, EQ or reverb in real time.

With 128 presets on tap, you can go through any gig without the need to tweak your tones. The perfect solution on stage and for your sound library in the studio or at home.

Create, edit, save and share all your favorite sounds via Bluetooth using the Black Spirit 200 Remote App for iPad. With the Black Spirit 200 Remote App, you’ll never lose a great tone again!

Choose from eight different cabinet types from monstrous 4×12 stacks to compact 1×12 cabs, and anything in-between, to truly
personalize your tone. You can switch the output level from Mic to Line, so whatever you want to connect your amp to, the level will
match.

With the cabinet type switch you decide if you want to play through a guitar speaker or a Full Range Flat Response (FRFR) cab. Hook your amp up directly to non-powered PA speakers and wedges, hi-fi speakers or studio monitors.

With 200 watts of output power, Black Spirit 200 is one of the loudest guitar amps ever. You’ll probably never need this kind of volume, but you’ll always love the dynamic headroom. What’s more, the unprecedented Spirit technology delivers that great sound even at whisper quiet levels.

Aux In allows you to connect any kind of music player, and it can also be used to connect drum machines or additional instruments.

The room emulated stereo headphones out let´s you enjoy great tone in the still of night; you can even use it to jam to your favorite tracks! Just connect your music player to the built-in Aux Input or stream music from any Bluetooth-enabled device direct to your amp!

Stream music from any Bluetooth-enabled device direct to your amp!

The bionic Spirit Tone Generator faithfullyrecreates the natural yet wildly complex interactions of traditional tube amp circuits. It houses the essence of the physics behind tube amplifiers,
with all of the intensity –hereby creating the rich and responsive tonal behavior that givesyou an unbridled joy of playing.